Vivo (2021)

Director: Kirk DeMicco
Writers: Quiara Alegría Hudes, Peter Barsocchini
Studio: Sony Pictures Animation

Watched on: 21/12/2021

Review contains ***SPOILERS*** for Vivo

Ratings:
OVERALL
NB: These are not weighted equally (if at all)
PlotStorytellingAnimationCharacters
65774


This film was a pleasant surprise. Not only did I have low expectations of it, I also paused it at about 10 minutes in (to go and do something) and was actually happy to just leave it at that. I was off for Christmas that week, so had plenty of time on my hands, so I did go back to it the next day and within the next 10 minutes, I was genuinely hooked back in. The rest of the film was then a bit underwhelming but all-in-all, a pretty solid family film.

The very first thing I noticed when I put this on was how the film achieved the effect of making the setting (in Havana) really feel like it was alive. It's something I noticed when I watched Coco and conversely, something I felt was lacking when I watched Glen Keane's 'Over the Moon' recently. The backgrounds and background characters moved and behaved in a way that felt settlingly real, as opposed to the kind of stagnant movement that reminds you that you're watching something that had to be animated piece by piece. Overall, the animation was fun and expressive and I'd say Sony did a really good job on the details and textures - I can't imagine generating kinkajou fur was an easy feat!

The majority of that pleasant surprise I mentioned earlier was in the directing. Lots of simple frames with basic symmetry etc. made the film pleasant to watch but the film also had a few really visually powerful moments, e.g. the fountain representing Vivo's tears at Andrés's death, the Florida swamps being used to make us feel lost and uncertain (any viewer with access to Netflix is likely far more comfortable in a City) and the music and background going completely silent and only Vivo's footsteps (not visual but still great directing). There were also some really great little visual comedy moments, like the bridge jump with the bike and also the set-up and let-down of them making the leap to the boat, which they brilliantly diffused by just making Gabi laugh about it. Also loved the little King Kong reference!

The story and characters were generally very surface-level, it has to be said. The plot (after those first 20 minutes) is literally just "need to do this thing", "have now done thing", with some pretty frivolous tasks in between. Like what was the point of the birds (spoonbills, Platalea ajaja) and the snake? If you took them out of the story, it still would have gone exactly the same. Ultimately, the end goal didn't move or change based on the events of the story. Maybe Gabi got closer to her mum a bit but even she didn't grow or change at all throughout the film, really. And again with Vivo himself, most his growth was done up front. And the whole lyrics vs. melody thing was pretttttty weak for me. I liked the last scene, which showed how they all live now and what they get up to after the move (which is all I ask from a lot of other movies). I did really like that Vivo got to carry on what he did with Andrés with his kin.

One thing I really really noticed, was along with my usual dislike of Lin-Manuel Miranda's approach to hip hop (which is blatantly that of an outsider to the genre in my opinion), I also noticed the guy really can't sing that well. I'd say he didn't even sing well enough for his part in this; at certain points you could hear he was out of his range. The songs were mostly not great but I think there were 1 or 2 I did like. The big song around which the entire story hinges was thoroughly underwhelming. I do also have to say, Coco did the whole song for a final memory thing and of course did it infinitely better.

All in all, a pleasant surprise but not much better than that. Animation was very nice though.

Encanto (2021)

Directors: Jared Bush, Byron Howard
Writers: Jared Bush, Byron Howard,Charise Castro Smith, Jason Hand, Nancy Kruse, Lin-Manuel Miranda
Studio: Walt Disney Pictures Walt Disney Animation Studios

First watch: 15/01/2022

Review contains ***SPOILERS*** for Encanto

Ratings:
OVERALL
NB: These are not weighted equally (if at all)
PlotStorytellingAnimationCharacters
76786


Such a great film with so many great messages and magical moments. I had so much fun (and cried a whole lot) watching it and it was visually incredible but it still has areas it could imporove in.

So yeah, visually it was so amazing. Walt Disney animation studios is never going to struggle in this department but like I always seem to notice in these 3D animated features, all the environments felt so alive, with extras and animals who all seemed to have truth in their movements and seemed to live and breathe completely independently of this story taking place. And of course, the magic, the decoration and the scenery in the settings made it feel super vibrant and made the whole film an incredibly pleasant experience. Colour does a lot. Also that super high Disney quality was there, to the point that you could see the baby hairs on Luisa's back when she flexed; those animators must have worked their arses off! One of my favourite bits to get completely lost in was the discovery of Antonio's room; what an absolute dream.

The visual storytelling also adds to the visual impact of the film. They did so many amazing things on screen to get points and feelings across. I really enjoyed moment's like the engagement dinner, where they did the Dwarves Thing: they had Camilo react to the news by shapeshifting into Mirabel then Bruno, then Félix (who has no powers) finds out and spits out his drink, then Pepa finds out and her expression drops as a thundercloud forms above her head. They also used a lot of that Golde Age super imagery for the songs (think 'I Just Can't Wait to Be King', with the cutaways to crazy scenes that are just for show). There was also a lot of visual metaphors, like cracks appearing and cacti amongst flowers.

The message of the film, I think, is probably more important than the story itself (although the story was authentically driven at all points - a big plus!). The message is what shapes the story and as the film progresses, that message becomes more and more obvious. The story does have a very solid foundation for delivering that message but I think some of the details, some of which might fall more under storytelling, could have been changed to improve the impact of that message (suggestions below). They put too much focus on some bits, not enough on others etc. Even another song or two could have helped shape the story and relationships between the characters a bit better. There were also lots of smaller messages in the film, which I think they executed brilliantly.

The best example of these mini-messages is Luisa basing her value as a person on her ability to provide a service to people. This was a really good way of reframing masculinity and a quite common trait in men; that said, it was maybe lost a litte because Luisa is a woman but on balance, Disney made the best decision they could with her character. With that message, the character needs gift of super strength and it would be all too in line with the current state of damaging gender roles to assign that to a man character. So Disney pretty much got the message across as best it could whilst also swimming against the current; I think they nailed it. Also, I'm glad they made Luisa visually very pretty and 'feminine'. That's another reason I think they nailed the decision of making her a woman, because they also showed that women can be feminine and also be buff. It was great. Other messages like not overextending yourself, understanding each other and not having to fit anyone else's mould were great too.

Characters were cool. I would have loved to have seen more of Luisa and Isabela but their whole character stories were great. More emphasis on their journies would have driven home the respective messages better, because it seemed as though they were of eqal importance to the cousins when story-wise, they weren't. Abuela is a little bit off-the-shelf and I regret to say that Mirabel wasn't exactly groundbreaking. But they all did their part and were relatable in the moments they needed to be. Antonio was a little King! I absolutely fucking loved him and he of course had the coolest gift. His little outfit on his gift day was also adorable. Character design, however, is top drawer. Everyone looks exactly like what their character embodies. Just looking at their character sheets would tell you everything you need to know about them. I think this can be seen the most clearly with hair textures. I don't know how the hell they did it but Isabela's hair literally looked like it was fresh out of a fancy salon, Mirabel's was a little messy and although I'd maybe withold the design=character comment with regards to Félix and his kids, they did a fantastic jobs with the afro hair textures! Also, well done to them for placing Félix into that family to give the film some solid afro latino representation. I'm not an expert on that but I was glad to see it.

Regarding the animation, there isn't much to say. It's Disney, it's the gold standard. Of course it was expressive, weighty and perfectly stylised.

Highly recommend this film to anyone at all but especially people looking for a family film to please a crowd with mixed ages.


Now, things they could have added to make the film even better: -More moments between the sisters before they sing their songs. Their songs are where we only first get to meet them properly in my opinion, but their songs are where they start to develop. Essentially they get development with not enough exposition. Of course we get told about them and shown them using their gifts briefly but that's more just an idea of them, rather than actually who they are. Maybe a song between the 3 sistsers, maybe even some backstory about how close they used to be! That would also clarify that the 3 of them are the drivers of the story. It felt completely random when Bruno's new vision was for Mirabel and Isabela to hug. Because Isabela was just not in the story. -Spending a just a tiny bit longer (literally like 45 seconds) emphasising how the sisters use their gifts now and that the true gifts are each other and themselves. They did do this but it was only about 5 seconds each, which just wasn't enough for me. I wouldn't even have minded if they did a bit of telling here.
-Similarly, we could have had Abuela really clearly showing (or telling) that the real gift is each other. She could have literally put the candle out herself to show it (and there could have been some kind of plot device, like a candle snuffer that we saw but didn't know the purpose of). -They could also have had the Casita and the Candle be gone forever to really drive home the message. As I always say, if outcomes can just be undone, then all the actions that led to them become inconsequential. But it's a family movie, so it's for kids too - I get why they didn't do that. -GIVE MIRABEL A ROOM!! So Brutal we didn't even see that lol. She doesn't get a 'gift', which was really good of them to stick to, but she so could have been given a door. Is she just going to spend the rest of her life in the nursery watching a revolving door of toddlers go by?
-That said, I'd have liked to see what Mirabel's life looks like after the movie. Luisa and Isabela have this renewed outlook on life and now provide for people without compromising on themselves, but what does Mirabel do? Does she just pure chill out?
-Some of the gender roles could have been improved. Like if Mirabel's mum were her dad instead, it would have been nice to see a man who heals people with food and a lovely wife who's super sweet.
-Lastly, the whole way through the film, I though Mirabel's parents didn't back her enough. To the point it felt unsettling. In the context of the film, it really would have made sense for her parents to back her up and believe her and believe in her constantly. Felt wrong to watch and also in my opinion, would have sent Mirabel over the edge actually.